
SD6
Katchmare - Groom Lake
zine + cdr
Released 2007
50 copies
Track List:
1 Dead Air (1:42)
2 Acolyte (2:45)
3 Eye in the Triangle (3:09)
4 Disciple (6:06)
5 Obsidian Ball (1:58)
6 Witches Sabbath (5:03)
7 Celestial Sphere (4:56)
8 Black Throne (4:59)
9 Perpetual Gloom (2:02)
10 Séance (3:30)
11 Heavenly Blue (5:25)
12 Annointed Crown (5:12)

Reviews:
Vital Weekly
KATCHMARE - GROOM LAKE (CDR by Scissor Death)
Nick
Hoffman is an active man. He has three labels under his belt, Pilgrim
Talk, Ghost & Son and Scissor Death. I don't know the difference
between the three, but its on the latter that he releases the bulk of
his own musical work under the name of Katchmare. Last year he received
his BA in music, and I can't say I heard that quality in this music,
but I would let him graduate too, based on this work. Here he plays
guitar and computer in twelve small compositions of what could best be
described as 'ambient' music: gliding and sustaining tones which
operate mostly, but not always, on the higher end of the musical
spectrum, that however never works in terms of flat, worn out ambient
music. Hoffman knows how to kick the material around and give it a
somewhat more sharp edge, a rough angle. Still on the experimental side
of things, but also 'flowing' enough to lull you into a pleasant
nightmare. Very nice work, perhaps even his most refined work to date,
and again it comes with a booklet with drawings. (FdW)
The One True Dead Angel
Katchmare -- GROOM LAKE [Scissor Death]
This
release comes with a short black and white zine attached, featuring
drawings by Nick Hoffman (also the mastermind behind Katchmare); the
drawings are vaguely reminiscent of a less-psychotic Mike Diana, but
their disconnected nature makes them no more than a series of cryptic
images that tell no story (or perhaps they're present simply for you to
make your own story with them). The drawings, though, are not the main
attraction to this package; that would be the amazing sound of the
attached cd-r, featuring twelve beautifully sinister dark-ambient drone
works created with guitar and computer as sound sources that were
obviously then heavily processed to create something bordering on a
sonic torch of the mystics. The best part of these sparse but spacious
tracks is their intense minimalism; Hoffman successfully resists the
urge to shovel on anything unnecessary, and the result is a series of
intensely bleak yet gorgeous soundscapes firmly anchored in a
compelling lo-fi buzz and hum. This is the sound of the midwest in
winter, of landscapes buried beneath sheets of snow and rendered soft
and monochromatic, a sound that's both beautiful and desolate, and far
more emotional than you might expect of droning feedback. If you are
enslaved by the healing power of drone, you absolutely must hear this.